Summer Sleepwear

It is hot.
This summer in Sydney (and a lot of Australia) has been ridiculous. We've had a record-equalling nine days over 35C - that's 95F for Americans - so far this summer and there's still almost a month left to go. It's too hot to do much sewing, or to wear too much. So light sleepwear is a must.

These two items are some of the few things I've made over the summer. Most of my old sleepwear is very much old and starting to fall apart. I also didn't have a summer robe for lazing at home during the holidays or on weekends when I don't feel like getting dressed just yet. So here are my Asaka Kimono and loose drape tank top nightie.

First up is the Asaka Kimono from Named Clothing. Named are a Finnish indie pattern brand who I know a lot of sewists have tried, but this was my first make. I actually bought the pattern during their pre-Christmas sale in 2015 (I bought 2 other patterns then too) but I only recently got around to making it.

The pattern is pretty straightforward without too many pieces. It does require a lot of fabric - and it isn't one where you can just lay the pieces like a jigsaw to save room. But none of the pieces are strange shapes, nor are there any awkward joins that need to be made. This pattern would be suitable for even fairly beginner sewists.

Because the fabric frays and isn't the greatest quality (although the print was too perfect a match for the pattern not to buy) I again did French seams. Of course I couldn't do French seams for the sleeves due to the vent, so instead I sewed those with a wider seam allowance and then rolled that under and topstitched it down.

I do think the tie belt is possibly a bit too long, which is my only complaint. Mine almost reaches the floor when untied, and that's after I managed to burn holes in one end and had to cut it shorter. Turns out the cheap $2 a metre fabric I bought at Spotlight is not friends with the iron, so this gown is just going to have to remain creased.

The nightie is the No. 13 Loose Drape Tank Top from Drape Drape. This pattern I have changed when I made it. The first and obvious change is in the fabric I used. As with most in the book, the pattern is designed for a knit fabric. However I'd bought metres of this black and white Deco-esque rose satin a few years back planning to make sleepwear. Seeing as I already had the fabric, I decided I might as well use it as I'd planned to.

The second change I made was to the pattern itself. The original in the book is much more draped at the side, down to the waist in the pictures in the book. I didn't want it to be that deep, so when I traced the pattern out I overlapped the two pattern pieces to narrow and raise it. The sides are still deep, but not so much that the nightie is about to fall off.

I didn't make any other modifications to this pattern, and like my Punto Drape Dress the pattern was incredibly easy to follow. It is made all in one piece, cut out on the fold and sewn up at the back, so it is very quick. It definitely taes twice as long to trace and cut the pattern out as it does to make it. It's a great pattern, and works in a woven just as well as it would in a knt. Again, recommended for sewists of all skill levels.

We've had a bit of a cool change come through this evening and tomorrow is going to be wet and a cool(!) 25 degrees, but the weekend is hotting up again, possibly to 40 (104F) on Sunday. So these lightweight sleepwear and lounging gown are going to come in handy for a few more weeks yet.

The Whites and The Blues

A belated post of some 2016 makes. I still have a few others that have been made but not photographed, or need just a little bit of fixing or finishing. With these two makes, one has already been in my wardrobe for 11 months, the other was made two weeks before the end of the year. So I guess that evens out to...still be a ridiculously long time between making and posting.

Both of these makes were quick pattern-free makes. Both pieces of fabric were remnants, so I only had what was there to work with. And with both fabrics I knew exactly what they'd be as soon as I bought them. Even so, both fabrics spent a while in my stash before I made them up into these garments.

The first make is a simple jersey top. The fabric was from Spotlight, bought in the second half of 2015. The print is white silhouettes of foxes, although they bear almost as much resemblance to cacti as they do to foxes. But I liked that the fabric is fun while still be quite simple in the navy and white colours. It was also a softer jersey than many of Spotlight's can be.

The top was a very simple make. It is raglan sleeved, and the front and back are identical, just rectangles with the top corners cut off on an angle. With the sleeves the neckline is not quite rectangular, angling out slightly towards the shoulders. It's sewn together with a three stitch zigzag about 6mm wide in white thread. The fit is close but not tight, so it's casual but still neat.

The skirt is a piece of wonderfully soft remnant rayon with navy palm leaves on a cream background was bought at My Hung fabrics. It was 1.5 metres wide and 1.1 metres long. This made it just the perfect size piece for  a maxi skirt. With skirts I tend not to bother with patterns, and for this one I didn't even bother with any measurement. I just pinned pleats every few centimetres to bring it down to my waist size, sewed my pleats about 8cm long, then stitched up the back seam, added a zipper, and folded over and stitched a waistband and hem. All done in not much more than an hour.

Both of these pieces also remind me of some of the things I really love about sewing. Designing my own ideas, or seeing a fabric and having an image in my head of what it should be and then creating that is such a great experience. Using fabrics in prints and colours I choose that are good quality and have a better feel than the cheap disposable things for sale in most shops means I enjoy wearing what I make. And my wardrobe has much more colour and variety when I make things myself.

Punto Drape Dress

I've finally got my sewing room set up, and two weeks off for the Christmas/New Year's break, so time to sit down at my machine and start stitching again. First up was this dress, made on Boxing Day.

The fabric is Blimm's World Punto from Tessuti Fabrics. It's one of a couple of Italian pontes that are so popular that they tend to sell out within a day or two at most, so it's lucky that I can get down to Tessuti at lunchtime. After they posted them on Instagram one morning I headed down at lunch and fortunately this one was still available.

The print is very busy (yes, that is a man falling out of a hot air balloon and a map of Asia with a black bear representing Russia), so I had to choose a pattern where the fabric didn't overwhelm but where I wouldn't lose any of the fun of it. I decided to go with the drop-waist gather dress from Drape Drape. It's a semi fitted pattern with a tulip skirt, and the fabric is cut all in one piece.

The pattern suggests putting a zipper in the back, but given it's a jersey fabric I decided that didn't seem necessary. The dress is fitted but not tight, so it is still easy to get on and off without a zip. I did the gathering for the shoulders and skirt both by hand so that they would be even and neat.

The piece of fabric was slightly shorter than the pattern needed, so the back of the skirt had to be cut differently. I couldn't curve the hem down, so had to cut it more like a typical gathered skirt. It also meant that the hem was initially higher at the back, so I had to trim it shorter until it was even. I was a bit worried about that I'd lose to much length, but fortunately it's still long enough.

This was my first make from Drape Drape, a book I'd seen a lot but was always a bit daunted by. I was surprised at how quick this was to make. All up, measuring, pattern placement and sewing took me only a matter of hours. Basically it's the best sort of pattern - one that looks much harder to make than it is!

The Marchioness Rose

This dress has taken about six weeks from start to blogging. There's quite a few pieces to the pattern, I had to add a lining despite the pattern not originally being lined, and I've both been busy at work and moved house, so there was a lot to do both with the sewing and with the rest of life.

The pattern is a 1950s Australian Home Journal pattern, number 5210. It's a shirt dress with shawl collar and pockets. The envelope describes this as a house frock, which makes it sound like something Betty Draper would wear. The big bright pink roses also look very Betty, so I thought I should accessorise the photos to match the dress. And my armchair really matches the era pretty well, too!

The fabric is one I picked up at a Sydney Spoolettes fabric swap earlier in the year. The fabric is Australian, the selvedge says it is from Marchioness Fabrics. It's very thin voile, almost gauze-like. This meant there was no way I could use the fabric without lining it. But I didn't want to lose the soft drape that it has. I also didn't want to lose the colours, so I had to find something to be a lining that wouldn't show through or dilute the vibrant pinks of the roses.

I found a baby pink cotton voile at The Fabric Store that fit the bill. Of course, two layers of voile still isn't particularly thick. For the bodice it was fine, and I decided to leave the sleeves unlined, but the skirt would need more than two layers of voile. To fix this, I decided to double line the skirt. I cut one set of the baby pink voile to be the lining, and another set which I stitched straight on to the main fabric, treating it all as one single piece.

I started work on the bodice first, putting in the front and back darts. There are also front insets at the yoke. They were a little daunting to insert because of the right angle at the bottom edge, but in the end they went in fairly easily. And the print is, well, a bit overwhelming so the insets aren't really noticeable - you can just see the line of them on the above photo if you look closely. On the pattern envelope the insets are edged with lace so they stand out, but that wasn't needed with this fabric.

The skirt was trickier to do because of the third layer of fabric. Although I stitched the second layer of pink voile onto my main fabric so I could treat it as one, it was still a bit slippy. I left the bottom hem until I'd attached the bodice and skirt together, and then left it to hang for a weekend so the hem would settle. It seems to have ended up even, but I will keep an eye on it in case the lining and skirt get out of alignment.

Being a shirt dress I needed to make sure to stabilise the front. But I wanted to make sure I chose an interfacing that would work with how light the fabric is - both in terms of the weight and the gauziness of it. In the end I chose a black net-like sew-in interfacing. It did mean I had to first stitch the interfacing to the facing, but it sits and flows better than an iron on interfacing would.

The original pattern had short sleeves, but I didn't think they were quite right for this fabric. I looked through my other patterns from around the same era, and decided I'd add the sleeves from my DuBarry 5265 coat dress pattern. The sleeves are meant to have cuffs, but I tried the dress on before adding the cuffs and decided they'd be a bit too overwhelming, and the sleeves would work fine it I simply hemmed them.

I actually had all the sewing done more than a week before I moved, as I needed to be able to pack up my machine and fabric. All that was left to do was rip open the buttonholes, add the buttons, and hid all the loose threads. Still, I had to get set up before I could even start on those last elements, and there are sixteen buttons on this shirt dress. The interfacing is also relatively solid but the fabric is light, so I wanted to be very careful when ripping the buttonholes open.

The buttons were probably the hardest choice in making this dress, because I didn't know what would suit this fabric. It obviously needed a large number of buttons (sixteen in the end!), but what would complement the flowers? I have a large collection of buttons, but I didn't have anything that worked, or that had enough buttons. I wasn't going to find something that faded in to the background on this fabric, so I chose the gold as I thought they would stand out but not clash.

I'm really proud of this dress. To be honest it feels a little fancier than I normally am, like it needs a very put-together person. Not simply something that is pulled out of the wardrobe on a whim. But the fabric is just so stunning, and so perfectly suited to the pattern, so I'm sure I will find reasons to wear it. Although probably without the heels.

A Trio of Travelling Trousers

I had planned to post these three two months ago. I made them all to take on a trip to Western Australia and was going to take pictures of me wearing them on beaches and bushwalks, but didn't end up getting usable action shots. So instead they went into the wardrobe until I pulled them out today.

First is a pair of very bright summer shorts. The fabric is from Spotlight, and I'm really not sure what it is or what it's meant to be for. It's fairly loosely woven and frays like crazy. Because of that I decided my normal thing of doing French seams wouldn't be enough. So instead I covered over each seam with bias binding, stitched in at the seamline, then folded over and stitched down at the edge of the seam allowance. I still don't think they'll last very long, though, because the fabric doesn't really stand up to much.

Both these shorts and the next ones were made using Burda young 7050. The pattern seems to now be out of print, but it's a pants pattern that's fitted to just below the knees and then flares out. Obviously I altered the pattern for the shorts. For these bright yellow ones I traced the top of the pattern to mid-thigh on newspaper, then slashed and spread to make them looser. These shorts were for lazing on the beach in Broome, although it ended up raining despite it being the dry season, so no beach photos for these shorts.

The second pair of shorts are just practical, dark khaki/green bushwalking shorts. On my holiday I did a tour from Broome to Perth, with lots of time spent in national parks, particularly Karijini in the Pilbara. It's a beautiful area, but hot even when it's technically only just spring. So shorts are best for walking there, especially when you get to gorges where you need to wade through knee-deep water!

I again used the Burda young 7050 pattern, and also widened it slightly from the original so they'd be more practical to wear. As you can see these are also longer, again for practicality's sake. They aren't the most exciting thing I've ever made, but they fit the bill for what I needed.

Thirdly, I made these slim fitting cargo pants. The pattern is Simplicity 2261, which is also out of print. I made the in a solid cotton drill in a stone colour. I picked this fabric up in Cabramatta when some of the Sydney Spoolettes had a shopping day. The pants are still relatively slim fitting, but are loose enough to climb on rocks and along steep tracks, so they are fit for purpose.

 This pattern is relatively straightforward, as far as pants go. I needed to read the instructions of how to insert a fly about three times before I knew what to do, but I got there in the end. I'm mostly happy with how they turned out, apart from the press studs for the pockets. I thought they'd be a more practical choice of closure for pants to wear while bushwalking, but one of them pulled off the fabric when I tried to unsnap it. I think I'll practice on some scrap fabric before I use press studs again!

 Lastly, although this is a sewing blog I had to include just a couple of photos to start and end this post with some of the amazing scenery in WA. The top photo is Joffre Gorge in Karijini National Park. That's at the top of a track that goes almost vertically down those cliffs, not a walk for the faint hearted (or the sore jointed!). Below is sunset at Pardoo Station. Both places are a long way from civilisation, and both are simply breathtaking. If you ever get the opportunity to see that part of the world, take it!

Leopard Bow Blouse

And another blouse.

The pattern is from the Japanese pattern book Les Couleurs Francaises. I'd post a link, but can't find anything other than a handful of blog posts. Which is unfortunate, because it's quite a nice pattern book. It's mother-daughter patterns, with lots of matching or similar styles. They're all fairly safely classic and feminine, so they're unlikely to become too obviously dated. It's worth picking up if you ever see it.

Now about the fabric. I do like my kitsch animal fabrics. I'm not particularly excited by standard animal print fabrics, but fabrics with animals on them? Those are great, and I've made clothes from quite a few animal fabrics. So how could I not buy this leopard fabric?

The fabric is a poly with a nice drape. I bought it on a trip to Cabramatta with the Sydney Spoolettes. I think it cost $5 for a metre, which is actually mid-price range for Cabra. The number of fabric stores there make it well worth a visit. The quality of fabrics is variable, but given you can get things as cheap as $2 a metre that isn't surprising. And most of the fabric is pretty good quality.

 As I said the pattern is from the Japanese sewing book Les Couleurs Francaises. It's pattern W, a tunic style pussy bow blouse with elbow length sleeves and front and back yokes. It's one of the patterns that made me buy the book about five years ago, but this is the first time I've made it. In the book they've made it with a broderie-edged cotton, and I'd always thought I'd do something similar. But a fabric printed with a member of the feline family is obviously the perfect choice for a pussy bow blouse.

Being poly the fabric is easy to care for and doesn't seem to crease. However it can fray, so as usual I did French seams to give it a cleaner finish. I also stitched down the yoke seams, both to keep it neat and flat and to highlight the yoke. I didn't have much of the off-white thread I used as topstitching left so all the inside stitching was done in white At first I worried that the topstitching thread might still be a bit too white, but in the end it doesn't stand out much, just enough to accentuate the seam but not so much that you look at the line.

 The pattern was a very straightforward make. Although it has both yokes and ties, it doesn't have anything that's difficult to do. It's loose fitting, so there's no buttons or zippers to worry about. Setting sleeves always requires patience, and a bit of attention is required to get both the keyhole neckline neat - both having the yoke pieces just overlap and stitching the tie to the neckline - but it isn't hard to do. It's probably a good pattern for someone who knows all the basics and either wants to try out Japanese patterns for the first time or just wants to slightly challenge their skills.

 In the pattern book this top is worn untucked, but in most of the photos I've worn it tucked. I think it works better for this fabric, and as a blouse to wear at work I think tucked in is neater too. Although it possibly could stand to be an inch longer, or I could wear it with higher waisted trousers or skirt. But overall, I'm really happy with this blouse and think it will get lots of wear.

70s/80s blouses for the 21st Century

A couple of new blouses today, although one of them was actually made six months ago. But being a short-sleeved blouse it hasn't been warm enough to photograph. Both patterns qualify as vintage, although I'm slightly loath to call the sleeveless one 'vintage' given it's from the 1980s and actually a year younger than me.

First up is my newest finished make, a loose-fitting sleeveless blouse.  The pattern is Butterick 6583, a loose fitting girls' blouse pattern from 1984. Apparently children's size blouses work pretty well for me. It has options of dropped sleeves or sleeveless, I decided to go for the latter. It also has no darts, but instead has dropped shoulder seams with the bodice slightly gathered at the seam.

When I posted it on Instagram when I'd just finished it I wasn't 100% on it because it was looser than I expected.But that was a week ago, just before we were due to have our first hot day of the season on Monday (34°C). One comment on my Instagram pic suggested I'd be very happy with it in the heat on Monday, and Mel, you were right.

The fabric is surprisingly cool to wear. It's a fabric I got earlier in the year when the Sydney Spoolettes held a fabric swap, so I'm not sure of its origins. But it's a polyester yet has a nice drape, good softness, and more breathability than many polyesters do. So I was pleasantly surprised by that. The only thing that I needed to do at all different was to do French seams because the fabric gets that matted fraying that polyester tends to do very easily. But I do a lot of French seams anyway, so that wasn't a problem.

This second blouse is one a made way back on the Easter long weekend. The pattern is the same as my Perfect Blouse Pattern, but made with a basic short sleeve. It's made in a cotton from The Fabric Store, and is offwhite with a peach/mauve floral paisley print. The print is quite pale, but can been seen in the close up in the last picture.

I think part of the reason I hadn't posted this blouse before is because it's not exactly exciting. It's a nice pattern, and the back darts give a good shaping, but it is still just a straighforward work appropriate blouse. And honestly it's a little hard to think of anything else to say about it given I've already reviewed the pattern when I used it previously.

Anyway, so those are my two blouses to wear as the weather warms.  And hopefully I can get this blog back on to a more regular schedule too!