The Wild Meadow Gown

This dress is the Friday Pattern Company's Wilder Gown, which seems to be the current most popular pattern. I can see why it's so popular - it's fairly easy to make and easily adjustable and adaptable. It's loose fitting, but doesn't feel oversized, has a 70s influence but doesn't feel costumey. It has a bit of a secret pyjamas feel but is still very much wearable in public.

The fabric is a viscose rayon satin from My Hung Fabrics in Hurstville. I bought the fabric specifically for the pattern. I really liked the all over floral print, particularly the fact it has the feel of an overgrown meadow. The print is directional with the flowers all growing along the grainline, but because of the overgrown feel it isn't overly noticeable, which was lucky given I accidentally cut the bodice front pieces out upside down. The fabric is wonderfully soft with a subtle shine and an excellent drape, but it does fray a lot. Each seam is overlocked to protect the fabric from falling apart.

The pattern is easy to follow, with only a small number of pieces. The skirt is two tiers of gathered rectangles, two for the first tier and three for the second. Folded in half, my fabric was slightly narrower than the pattern piece, so for the first tier I just used the width of the fabric. The second tier is three pieces, two slightly narrower and one the correct width. 

I chose to make the gown with short sleeves and also shorten the length slightly so it wouldn't look quite so much like a nightie. The length of the full dress would have sat at a slightly awkward length, almost a maxi dress but not quite, so I made the second tier shorter by cutting it off at the lengthen/shorten line. 

Construction is generally very straightforward but I did have some issues with gathering the skirt tiers. The first line of gathering stitches I put in were too close to the edge of the fabric, which given the fabric's habit for fraying meant I wasn't able to gather the whole way along. I removed those stitches and did new gathering lower than the seam line which gathered in quite well. It did mean I had to remove that line of stitching from the finished garment, but it also avoided any more frustrations. 

The one new element to me was the gathered neckline. The pattern pieces have an extended neck almost like a turtleneck which is folded over and stitched with two lines of stitching about an inch apart, with the neck tie piece threaded through the channel between the stitching lines. This then gathers the dress when worn, pulled as loosely or tightly as desired.

I think this dress will get a lot of wear in these warmer months. Because of the print and the length I was slightly worried the dress might be a bit overwhelming, but I'm really happy with how it turned out. The only negative is that the fabric is slightly warmer than I expected it to be. The large amount of fabric gathered at the high neckline definitely contributes to that, so tying it more loosely might be one option. Overall, though, it's a lovely, dreamy, floaty dress that's both an enjoyable make and an enjoyable wear.

Yoyo Zebra Dress

This dress is the Yoyo Zebra Dress, along with a boatneck merino top. It's a winter-to-trans-seasonal pinafore style dress, but not a childish style. The fabric for both the top and dress are from The Fabric Store. The dress is a relatively stiff printed cotton drill, and the top is a heavy merino in a rich aqua. 

The pattern is the out-of-print Yoyo Dress from Papercut Patterns. I like Papercut, their patterns are all clearly written and easy to follow, and this one is no different. It's unfortunate this pattern is out of print, given pinafore styles seem to be popular again and the zip front, v neck and angled hem of the Yoyo Dress make it stand out from many other patterns on the market. I like the fit of this dress, with the front pleats and back darts giving some shape, and really work well wtih the heavier weight of the fabric. I also think Papercut's process for attaching all in one facings is amazing, and gives a very clean finish on the outside of the garment.

I made the pattern with no adjustments, so it's a little shorter than it should be. Most Papercut patterns work pretty well for me, but some of their early dress patterns I find a bit short-waisted. With the zip front and triangular hem it ends a bit higher on the thighs than I expected, and the waist seam is about 2cm above my waist. If I had measured it properly before cutting the pattern pieces out I would have lengthened the bodice about 1cm at the shoulder seam and 1cm at the waist seam so it sat better and was a better length.

The top is the Epaulette Top from the Japanese pattern book She has a Mannish Style (translated into English as She Wears the Pants) with added flounce cuffs. As with all The Fabric Store's merinos it was lovely to work with. Being thicker it doesn't slip out of place at all and is very stable. The Epaulette Top is a pattern I've used as a base for making tops many times, because it is an easy to adjust basic shape. This version is designed to be one that can be both casual and work-appropriate and very wearable.

I like both of these pieces. So far I've definitely worn them together a few times, but both are versatile and can work with many other items in my wardrobe.

The Tidal Cardigan

This is my first proper piece of knitting! 
Late in June, after over three months of working from home and with my flat feeling very cold, I decided to try and learn to knit. As a leftie I'd tried to learn to knit a few times before but had only been taught by right handers which just didn't work very well. So I looked on YouTube for a tutorial and found this one from Noble Knits. It's very clear and easy to follow, and I found surprisingly that knitting wasn't too hard once I watched a left hander do it!  

First I knitted some simple squares, then a scarf and beanie just to get the hang of it. But part of why I'd wanted to knit is my flat is extremely cold, so I wanted to make myself some warm woollens. So I started looking for some free patterns with chunkier wool, so it wouldn't be too hard or take too long to make. I also didn't want to spend a lot, so went to Spotlight to see what I could find. The yarn is Moda Vera Mawson, a 50% acrylic, 25% alpaca, 25% wool blend. It's soft and warm and very slightly fuzzy. The colours are denim and peach, although the peach is closer to a washed-out burnt orange.

I was originally planning to make a jumper and had downloaded some patterns that were right for the yarn I bought, but then I decided I don't have enough warm cardigans, so I searched for a cardigan pattern. I'd already bought two colours, so was looking for a two tone pattern. Unfortunately I couldn't find one for the right needle size, so instead I did the very sensible thing when completely new to knitting and combined two patterns: the Berroco Estuary and Berroco Clem, using the Estuary for the pattern and the Clem for how many stitches to cast on.

Knitting the cardigan itself was pretty basic as it's just basic ribbing and stocking stitch, with simple decreasing and increasing for the different pieces. It took me a few weeks to knit, but was mostly straightforward. I did make a few errors and have to redo some sections, one side I accidentally made too long before changing colour and had to undo several rows. Then on the right sleeve I ran just short of orange and had to start blue a row early. Fortunately because it is a slouchy cardigan it doesn't matter too much and isn't too noticeable.

Making buttonholes was a little more daunting and the instructions in the pattern didn't really explain it at all. So I looked at a few more YouTube videos of different ways to knit buttonholes. I did eyelet buttonholes which the pattern asked for. Because my buttons are large I was initially unsure they would be large enough, but surprisingly they do stretch wide enough for the buttons to fit through. The buttons are dark wood, and stitched on with topstitching thread.

I blocked each pattern piece to set the size. The sleeves ended up longer than expected after blocking, even thought I'd measured the length while making them. At first I was slightly annoyed by that but once I stitched it together I liked the extra length. I feel that it adds to the slouchy cozy warmth of the cardigan. I often like to pull the sleeves of my jumpers and cardigans down over my hands, so this cardigan just already has the sleeves pre-stretched.

I'm incredibly happy with how well this cardigan turned out. When I'd previously tried to learn to knit it didn't work well at all - my stitches were uneven, twisted and tension far too tight. But this is even and neat and has a great slouchy fit. I've been wearing it regularly for most of the last month.

The Out-Of-Office Work Dress

This dress was meant to be a new office-appropriate winter dress for resuming normal work. But we're still working from home for the foreseeable future, so instead it's office-appropriate dressing for my desk in my lounge room at home.

The lovely fabric is from The Fabric Store, and was a remnant I picked up last winter. The fabric is double sided orange and ruby, so it obviously needed a pattern that would show both. The orange side is merino, the ruby is nylon. It's a stable knit, so it's very easy to work with and maintains its shape very well.

I had initially been thinking of making a 1960s mod-style dress with contrasting bands at the neckline, waist, sleeve bands and hem, but I couldn't find a pattern that matched the image in my head. As the fabric is a remnant piece I had a limited amount of fabric, so I was a bit unsure about coming up with a dress without a pattern. So I decided to do some image searching for two tone dresses for inspiration, and found a few wrap dresses that looked really great.

After looking through different patterns, I found one that I thought would work well in two colours. The pattern is a Nancy Zieman wrap dress for McCalls, M7893. This is version A with an asymmetrical hem but with the longer sleeves of version B. The two sides of the asymmetrical hem are designed to reach a neat point, but as soon as you stop standing perfectly still they do move out of place.

While the dress is two toned, the pattern isn't. The back piece in the pattern is cut on the fold, rather than as two pieces. Cutting the back as two pieces was easy enough, but making sure I laid out the left and right fronts and each sleeve correctly so all the left side would be orange and the right side red took a bit more care. I also used matching threads for each side, changing over when I reached the centre back.

 It's unfortunate this dress isn't quite getting the wears I intended for it this year because I really like it. I'm still wearing it a bit, but it's not really an at home dress. Luckily the fabric is lovely and great quality, so even if the weather is starting to warm up now, there will be many other winters for it to be worn.

Ruska Jumper Dress

Another new make that's been in my wardrobe getting worn for more than a month. It has already been getting a reasonable amount of wear, and is comfortable for working from home while still being both relaxed and presentable for video meetings. 

This is the Ruska Knot Dress from Named Patterns' book, Breaking the Pattern. It's a great pattern book, with lots of options for each pattern and some potential for mixing and matching across patterns. My version is the straight knot dress but with the longer sleeves. 

The dress has a double front. The under dress is fitted and cut in one piece, while the knot overlay is cut in two pieces, stitched together down the front until it reaches the ties. It's connected in together along the seams, which means taking care to ensure no layers slip out of place, especially when connecting the sleeves and neckband. 

The fabric is a jumper knit from My Hung Fabrics. It's a lovely baby pink and charcoal mix - it definitely looks more pink in reality than in the photographs. It's quite soft and stretchy, but the ribbed fabric holds its shape well enough to work for the pattern. It's reversible, so there's no worry about the "wrong" side showing on the knot section. 

Unfortunately the fabric was absolutely terrible to work with. It falls apart and frays very easily, which means it had to be overlocked. But at the same time all the bits of fluff coming off got caught in the overlocker, almost clogging it. A couple of times on the longer seams I had to use tweezers to remove pieces of  thread caught behind the bottom blade. Once I finished sewing the dress I completely opened both the sewing machine and overlocker up in order to give them a thorough cleanout.

This dress is very comfy and cosy while still looking put together, very much a secret pyjamas pattern. Especially made out of this knit, it really does feel like a giant fancy looking jumper. And a giant fancy looking jumper is always great to wear.

unseasonal skirts

I've done quite a bit of sewing during COVID working from home, but have been slow to post things here. I aim to add a few of my makes before the end of the month, starting with these two skirts which were both made about three months ago.
First up is the Dolores Skirt from Le Maison Victor magazine in May Gibbs Flannel Flowers fabric in midweight cotton from Nerida Hansen. The May Gibbs print is lovely, and such iconic Australiana. This is the midnight shade - the fabric also comes in pink, summer blue and lemon, but I felt those paler shades did not show the print as clearly. This deep blue allows the flowers and bush babies to stand out.

This skirt is a very simple style and straightforward make, just a gathered button up skirt with a waistband and pockets. The gathering is uneven and almost pleated at parts, but because it's relatively full I felt the imperfections don't really show up enough to be worth redoing. The attention is drawn to the print, rather than the size of the gathers.

The buttons are dark wood from Spotlight. I considered white buttons to fit with the print but in the end the wood buttons suited the fabric better, by matching both the tone and feel of the print. 

I really like the length of this skirt. I have a few skirts in this below the knee length, all with moderate fullness. They're relaxed and easy to wear and dress up and down.

This second skirt is from Burda magazine, issue 12/2016, pattern 105. The pattern is a very basic fitted skirt shape, but with the curved zip closure. The pattern actually suggests also having a hidden side zipper, but it isn't necessary so I omitted it. The zipper is a double slide zipper, with slides at top and bottom. I've had it in my stash for a while after picking it up for 50c at an op shop a few years back. When I bought it I didn't have a pattern to use it for, but it really seemed like it would suit a skirt. The zipper is slightly shorter than the pattern asked for so doesn't quite reach the hem, but it didn't affect the making of the skirt.

Construction was mostly straightforward. Inserting the zipper along the curved seams was a bit fiddly, but mostly just required careful pinning in place and sewing slowly to ensure it remained even. It was slightly bumpy when I finished sewing it but that was easily fixed by pressing the stitching. The harder part was attaching the facing behind the top of the zipper curve. The extra bulk meant that the front of the skirt sits about half a centimetre above the back to accommodate the seam allowance even after it was trimmed back. If I'd thought beforehand I might have made the right front (the lower curve) finish half a centimetre lower to help the waist align properly, but it's a minor imperfection.

The fabric is a Liberty of London cotton twill bought from the fabric store, although I can't remember the name of the print and it doesn't seem to be available on their website anymore. The weight is perfect for the pattern, because it has body and holds shape but was still able to handle curved seams. I liked the print as well - it's colourful but still pretty simple and versatile and works well with a lot of things.

Spotted Wolf Pants

Over the last few years I've made some pants but almost all of them have been workwear. Pants are always a bit daunting, so I don't make them as often as other types of clothing. But now working from home I'm not wearing normal work clothes and my jeans are getting old so it was time to make some casual pants to wear at home.

I used the out of print Peter and the Wolf pants pattern from Papercut Patterns. The original pattern has an invisible side zipper and a curved teardrop-shaped hem. I wanted to change these to more of a traditional pant shape with a fly front and straight hems. This make is basically the newer Otsu Jeans pattern but with a straight rather than skinny leg.

I've made this pattern before in a black cotton sateen. There, I used the reverse side for the pockets and front and back yokes to hint at the design lines but not overwhelm. This time I wanted to take full advantage of the piecing that the pattern could allow. This reversible drill cotton (it's not quite a denim, but pretty close) is something I picked up at Pitt Trading last year at one of their monthly pop ups they were holding in Kogarah. The two sides and the greyish-blue colour made this fabric the perfect choice.

The fabric is a stretch cotton, but has more stretch along than across the grain. Before cutting the pattern out I did consider using the cross grain rather than the straight grain, but the spots looked strange held that way. So I kept to the straight grain, cutting a size XS. The pattern is closely fitted from the waist to the hips, and when I was trying them on as I went along I was worried that they were going to be a bit too tight. But I've found the finished product is often slightly looser than it seemed - I think it's partly down to being cautious on pulling on a half-made garment, and partly overestimating when pinning or holding unfinished seams. Either way, the final fit on these is close but comfortable, with no tightness or pulling and no gaps either.

Given I'd decided to move the zip from the side to the front I was a bit worried it wouldn't turn out. I had to add the extra elements when cutting the pieces out, and also had to go to another pattern for the steps of zipper insertion. I was confident enough that if the fly didn't work I could still put in a side zipper, but really wanted these pants to have that jeans look. I used the steps from one of my most recent makes, the Nita Trousers from Amy Nicole Studio. While I'd stuffed it up slightly on that make by accidentally missing a step, her instructions are very detailed and well written. I used them for these pants and honestly, I think this is the best fly front I've ever sewn. Not quite perfect, but getting very close.

The folded cuffs was a last minute decision when I was evening out and shortening the legs. I tried them on with the legs folded and pinned to work out the right spot for them to finish at, and decided I liked the look of it folded up showing the darker side. Given I already had the darker side showing for the waistband, pocket, and front and back yokes, balancing it out with the darker cuffs seemed to make a lot of sense.

I'm extremely happy with how these pants turned out - they look pretty much exactly how I'd pictured them, and I'm incredibly impressed that I was able to successfully move the zipper to the front. They're also very comfortable to wear and go well with all sorts of tops and jumpers. These will definitely get a lot of wear for a long time.